Publishers on Life Support: An Industry in Decline

There is no lack of opinion regarding the state of the publishing industry.  While I am not a professional insider, my status as a writer-publisher of two novels, as well as my previous experience as an author/editor of a traditionally (Big Six) published nonfiction work, gives me some credibility, I believe, in this discussion.  As much as many writing on the topic, at any rate.  It is my opinion that traditional publishing is exhibiting evidence of an industry that is deeply moribund.IMG_1115

As a surgeon practicing for over 27 years, I have had the deeply unpleasant experience of witnessing institutional decline and failure.  This past decade has been particularly challenging for hospitals.  On several occasions, I have witnessed the process of a hospital failing around me.  The signs are always the same.  The first evidence of a problem is the day that I’m told that some suture or medication that I’ve routinely used during an operation is “not in stock.”  While variously ascribed to “vendor problems” or “delayed shipment,” the real reason is that the hospital has stopped paying its bills in a timely fashion and the suppliers are waiting for a check before they send any more stuff.  Obviously, this is a problem.  It affects the care of my patient, but one finds a way to make do.  Next, the clerks start disappearing from the wards and nursing stations.  These individuals, while not licensed professionals, are the equivalent of the staff sergeants in the military–the people who know how to get things done.  They make everybody’s job easier.  But since they have no direct patient contact and are not regulated by the various accreditation agencies that the hospital must answer to, they are first to go as the hospital seeks to pare down its salary expenses (salaries are always the hospital’s highest expenditure).  The absence of the clerks doesn’t directly endanger the care of patients, but it makes the lives of the nurses, PA’s, and doctors much more difficult.  Suddenly, the care givers must spend time doing clerical duties to get things done for their patients, making everyone less efficient.  And it’s not like we have a lot of extra time to take on these tasks, so everybody feels the strain.  Hospitals depend on the fact that health care professionals, however, will pick up the slack for the good of the patient.  After all, everybody who works in the hospital has sworn an oath to that effect; everyone, that is, except the hospital administrators.  But this can only be stretched so far, and eventually, the best staff members leave to take positions at other, more solvent hospitals.  The remaining staff, too old or marginally competent to relocate, are left behind in a situation of downward spiraling care.  The final phase before the doors are ultimately locked is a deeply distressing period, though patients are often oblivious to the situation.

I see the same thing happening today in the publishing industry.  Obviously, traditional publishers are in a financially challenging environment.  Their current reaction, it seems to me, exactly mirrors what I describe above.  Experienced and talented professionals in the field, some of them my friends and associates, are being let go.  Divisions are being downsized or consolidated.  Jobs once done by these experienced pros are now done by interns, or not at all.  In-house expertise is sacrificed to subcontractors, always the lowest bidder.  My recent reading experience has given sad evidence to this trend.  Ebooks put out by major publishing houses on Kindle and Nook (I use both) exhibit extensive formatting issues, nonfunctional Tables of Contents, and copy editing errors pointing to a “scan but don’t proofread” approach to converting their manuscripts from print to the electronic format.  Even recent print editions, both hardcover and trade paperback books, show the kind of mistakes that shouldn’t be allowed by a professional publishing house that holds itself to a standard above the independent author-publisher.  Supposedly.

This is the crux of the matter at hand.  The traditional, professional publishing houses are in competition with independently published writers, as well as multiple small presses.  The response to this competition must be to turn out an even better product, to provide their contracted authors with a level of support and professional cache that will make for continued loyalty.  This has not been in evidence.  It seems, instead, that the response is to cut corners as they cut expenses.  It’s not going to work.  This short sighted approach, like the hospital trying to keep its doors open as it provides decreasing quality of care, leads to failure.

The response of a challenged industry giant must be to use their assets to explore new markets and areas of opportunity.  For example, many independents and small publishing houses are exploring the use of “bundles” to provide readers with greater value.  This is a natural technique for traditional publishing houses to employ, as they own the rights to huge libraries of previously published material, much of it desirable to readers.  It costs almost nothing for publishers to exploit this asset, but there is little or no effort being displayed in this regard.  It seems to me that every time I purchase a book written by an author published by RandomPenguinWhatever, I should receive the recommendation to buy a bundle of that author’s previous work, or some part thereof.  Not happening.

If traditional publishing houses continue to play defense rather than innovate, to pare down rather than promote those aspects of their industry in which they excel, the downward spiral to institutional failure is inevitable.  The best and brightest in the industry–authors, editors, marketing and legal professionals–will leave for the new opportunities which will  arise in their stead.  These folks haven’t sworn an oath to support their publishers.  And readers are not oblivious.

Critic/Critique v. Reader/Review

~first posted 20 Jan 13

We are readers, and we all have opinions. There are books that we love so much that we must tell everyone about them. I remember loving a book so much I actually watched my wife reading it–I wanted to see her expression as she read. She made me stop after the first thirty seconds. (N.B.: I am not referring to that rather bleak time in our marriage when I had my wife read my first novel.) There are other books that disappoint us or genuinely irritate us as readers. There are those books that earn my ultimate and most cutting criticism: I couldn’t finish it. It is impossible to be a serious reader without having serious opinions about what we read.Minolta DSC

In the world of books, we are taught that not everyone’s opinion is equal. There are professional critics, individuals whose opinions are better than ours. For instance, I enjoy reading the NY Times book section every week. I enjoy it, despite the fact that frequently I don’t really understand what the critic is talking about, often to the point where I can’t even tell if he liked the book he’s reviewing. Always, however, the reviewer has some special knowledge or insight that he brings to bear in evaluating the book, some personal relationship with the material or deeply meaningful literary reference. It’s always something way beyond us ordinary mortals, and I always feel that I’m learning something important. What I don’t learn from these reviews, however, is what I want to read next.

When I buy a book based upon its prominence on the first page of the NYT book section or a particularly glowing review, I’d say I end up being happy with the book about one time in twenty. And that’s when I understood the review and thought the reviewer was a making a good (understandable) case for reading the book. They loved it, I hated it. We just don’t think alike.

Something different happens when a reader reviews a book. When my wife, or one of my children, or a coworker, tells me about a book, they are telling me their opinion of the book as something worth reading for the same reason that I read books: Is it entertaining? This is almost never the criterion that critics use to evaluate the worth of the book, but is the one judgement that is all important. Sometimes another reader will tell me about a book that he thinks is important, or meaningful in some way–but it is always well written and entertaining, or else he wouldn’t have read it and he wouldn’t be recommending that I read it. It is that level of opinion that leads me to my next great book.

Not all reader reviews are equal, of course. Great books get reviews such as the one in my last satirical blog post, which makes good authors crazy. Readers are more inclined to read the one star review than any of the five star reviews, no matter how many more of the five star reviews there may be. Maybe the guy has a really big family or something. (Plural marriages are a known method for writers to get lots of positive reviews. Amazon is currently cracking down severely on this practice.) These reviews are no less meaningful, however. A well written reader review tells us as much about the reviewer as it does the book; if the reviewer sounds like a whack-job, or admits to never having read the book, or admits to being a fan of Fifty Shades, I know that the reviewer and I differ in what we consider good. On the other hand, if I read a review on Goodreads by a fellow reader that has a bookshelf full of books that I like as well, I value that opinion, and I just might buy that book.

It is that level of opinion, the reader review, that will hopefully one day become the new gatekeeper to a book’s success. We are not there yet. Currently, the best and most important new fiction can simply disappear without a sound, because the gatekeeper authorities–the publishing houses, the major professional critics, the big book awards, all the major media outlets that tell us about the next great read–still are told what is worthy by a literary industrial complex which has existed for half a century. Perhaps not for too much longer, however. Keep reading, and tell people what you think.  Write reviews.  It’s the next great thing in publishing.